Arnaldo M. Cruz-Malavé is professor at and associate director of the Institute of Latin American and Latinx Studies at Fordham University. He is the author of Queer Latino Testimonio, Keith Haring, and Juanito Xtravaganza: Hard Tails (2007); editor of Manuel Ramos Otero: Cuentos (casi) completos (2019); and coeditor, with Martin Manalansan, of Queer Globalization: Citizenship and the Afterlife of Colonialism (2002).Ren Ellis Neyra is associate professor of English and affiliated faculty in African American studies at Wesleyan University. Ellis Neyra is the author of The Cry of the Senses: Listening to Latinx and Caribbean Poetics (2020). Three new book projects are underway: one titled “Re-reading: The Violence of Relation”; another about the Kardashians, Bobbitts, and domesticity and violence; and a third about the long history of sovereignty in Caribbean literature.Andil Gosine is professor of environmental arts and justice at York University in Toronto, and the author of Nature’s Wild: Love, Sex, and Law in the Caribbean (2021).Peter L. Haffner is assistant professor of art history and affiliated faculty in African and African American studies at Centre College in Danville, Kentucky. He earned his PhD in culture and performance in 2017 from the Department of World Arts and Cultures/Dance at the University of California, Los Angeles. From 2018 to 2019 he was a Smithsonian Institution postdoctoral fellow at the Eliot Elisofon Photographic Archives at the National Museum of African Art, Washington, DC.Ryan Cecil Jobson is Neubauer Family Assistant Professor of Anthropology at the University of Chicago. His research is preoccupied with questions of energy, sovereignty, race, and capitalism. His writing has appeared in Current Anthropology, American Anthropologist, the Journal of Latin American and Caribbean Anthropology, and Small Axe. He is presently completing his first book manuscript, a historical ethnography of the Caribbean petrostate of Trinidad and Tobago.Ronald Mendoza-de Jesús is assistant professor in the Departments of Latin American and Iberian Cultures and of comparative literature at the University of Southern California. He is working on two book projects, tentatively titled “Reading Danger: The Catastrophic Modernity of Julia de Burgos” and “Unworldly Islands: Poetics of Dispossession and the Afterlife of Sovereignty in Caribbean Life.” His essays on deconstruction and Caribbean literature have appeared in edited volumes and in Qui Parle, CENTRO Journal, Diacritics, Discourse, Mosaic, the New Centennial Review, the Oxford Literary Review, Política Común, and Revista Pléyade, among other journals.Vanessa Pérez-Rosario is professor of English at Queens College and doctoral faculty in the Latin American, Iberian, and Latino Cultures Department at the Graduate Center, City University of New York. She is author of Becoming Julia de Burgos: The Making of a Puerto Rican Icon (2014), published in Spanish as Julia de Burgos: La creación de un ićono puertorriqueño (2021); editor of Hispanic Caribbean Literature of Migration: Narratives of Displacement (2010); and translator of Boat People, by Mayra Santos-Febres (2021). She is currently working on a bilingual anthology titled “I Am My Own Path: The Writings of Julia de Burgos.” She is managing editor of Small Axe.Grégory Pierrot is associate professor of English at the University of Connecticut at Stamford. He is the author of Decolonize Hipsters (2021) and The Black Avenger in Atlantic Culture (2019); and a coeditor, with Marlene L. Daut and Marion C. Rohrleitner, of Haitian Revolutionary Fictions: An Anthology (2022), and, with Paul Youngquist, of Marcus Rainsford’s An Historical Account of the Black Empire of Hayti (2013). He is also a cohost of the webseries Decolonize That!Petra R. Rivera-Rideau is associate professor of American studies at Wellesley College. She is author of Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico (2015) and coeditor, with Jennifer A. Jones and Tianna S. Paschel, of Afro-Latin@s in Movement: Critical Approaches to Blackness and Transnationalism in the Americas (2016). She has also appeared in the media outlets NPR, CBC, and iHeartRadio’s podcast El Flow, among others.M. Myrta Leslie Santana is an interdisciplinary writer, teacher, and performer originally from Miami, Florida, and currently assistant professor in the Department of Music at the University of California, San Diego. Their research considers the relationship between performance and social transformations in the Americas, and their writing has appeared in the Journal of the Society for American Music and in the edited collections Queering the Field: Sounding Out Ethnomusicology (2019) and Queer Nightlife (2021).Jenny Sharpe, professor of English at the University of California, Los Angeles, is the author of Allegories of Empire: The Figure of Woman in the Colonial Text (1993) and Ghosts of Slavery: A Literary Archeology of Black Women’s Lives (2002). Her most recent book, Immaterial Archives: An African Diaspora Poetics of Loss (2020), explores the intangible phenomena of affects, dreams, and spirits that artists and writers introduce into physical records for shifting archival knowledge from Europe to the Caribbean.Gloria Wekker is an Afro-Surinamese Dutch sociocultural anthropologist with specializations in gender studies, sexuality, African American studies, and Caribbean studies. She is emerita professor in gender studies at Utrecht University in the Netherlands. Among her noteworthy publications are The Politics of Passion: Women’s Sexual Culture in the Afro-Surinamese Diaspora (2006) and White Innocence: Paradoxes of Colonialism and Race (2016). In 2017, she was distinguished as one of the ten most influential academics in the Netherlands.Leniqueca A. Welcome is an anthropologist and an architect by training. She is currently assistant professor of urban studies and international studies at Trinity College. Her research and teaching interests include postcolonial statecraft, racialization, gendering, criminalization, visuality, affect, and liberation. Her work, informed by Black feminist, decolonial, and abolitionist theory, combines more traditional ethnographic methods with photography and collaging.Rocío Zambrana’s work explores decolonial thought and praxis in the Caribbean, specifically attending to the operation of capitalism in the region. She is the author of Hegel’s Theory of Intelligibility (2015) and Colonial Debts: The Case of Puerto Rico (2021); a coeditor of Hypatia: A Journal of Feminist Philosophy; and a series coeditor of the forthcoming Constelaciones de filosofía feminista. She also has been a columnist for 80grados (San Juan, Puerto Rico).Omaris Z. Zamora is assistant professor of AfroLatinx studies at Rutgers University–New Brunswick. She is jointly appointed in the Department of Latino and Caribbean Studies and the Department of Africana Studies. Zamora is a transnational Black Dominican studies scholar and spoken-word poet. Her research interests include theorizing AfroLatinidad in the context of race, gender, and sexuality through Afro-diasporic approaches. Her book project is tentatively titled “Cigüapa Unbound: AfroLatina Feminist Epistemologies of Tranceformation.”